The climb of a creative writing expert : Sabra Pegler Brainerd Minnesota: As long as you can handle feedback, anyway. There may be times when you don’t need actual criticism, and instead just need to write, or to have someone say something encouraging. One of my biggest stumbling blocks while drafting came from receiving negative feedback on a chapter. My fragile ego interpreted the critique as a condemnation of my viability as a scholar, and I moped around for several weeks, wasting time assuming I was worthless. At a time when I needed encouragement, hearing any criticism, no matter how constructive, hurt my productivity. Knowing yourself and the kinds of feedback you need as you write is important on a project like this. If you need someone to say “yay, good job!” find someone to say that to you.
Get exercise, adequate sleep, and eat well. Because our minds and bodies are meant to function in harmony, you will probably find that your productivity suffers to the degree that you are not giving attention to your exercise, sleep, and eating habits. Like it or not, our ability to maintain long periods of sustained concentration, think carefully over our subject matter, and find motivation to complete tasks is dependent in a significant sense upon how we are caring for our bodies. When we neglect exercise, fail to get adequate sleep, or constantly indulge in an unhealthy diet, we will find it increasingly difficult to muster the energy and clarity with which to complete our dissertation.
The discussion is where you explore the meaning and implications of your results in relation to your research questions. Here you should interpret the results in detail, discussing whether they met your expectations and how well they fit with the framework that you built in earlier chapters. If any of the results were unexpected, offer explanations for why this might be. It’s a good idea to consider alternative interpretations of your data and discuss any limitations that might have influenced the results. The discussion should reference other scholarly work to show how your results fit with existing knowledge. You can also make recommendations for future research or practical action. Discover extra information at https://about.me/sabra-pegler-27.
Create an Outline: creating an outline can help you organize your thoughts and ideas. It can also help you avoid getting lost in the details and losing sight of the big picture. Start by outlining the main points you want to make, then break them down into sub-points. Once you have a solid outline, you’ll have a roadmap to follow as you write. Develop Characters and Plot: creating compelling characters and plotlines is critical to engaging your readers. Spend time developing your characters’ personalities, motivations, and conflicts. Create a compelling plot that keeps your readers hooked and wanting more.
Sabra Pegler or the climb of a creative writer leader: Think of like looking at the wind through a window. You can’t see the wind, right? The wind is invisible. But at the same time, you can see the wind because of its impact on the things that are visible. You see the leaves flapping. You see the surface of a puddle ripple. You see a girl hunched inside her coat, her hair blowing into her face. You see someone try to light a cigarette and the match go out. Abstractions like Love and Death don’t look, sound, or smell like anything. But they affect everything around them. And you can describe the places they’ve touched.
Stop making excuses. There will always be a million reasons to not write. You have other work to do, you have papers to grade, you have jobs to apply for, you have meetings to go to, your back hurts, your computer is acting funny, the stars aren’t in the right position. There will always be reasons not to write. And it’s hard, but sometimes you pretty much just have to tell these reasons to shut up. Sitting down to write, even when it seems like you can’t, is the only way to get anything written.
Like similes, metaphors show the relationship or commonality between two objects or actions. Unlike similes, however, metaphors do not contain the words “like” or “as” in the comparison. In addition, metaphors describe the object or action in a non-literal way. In other words, metaphors equate two objects or actions just for the sake of comparing, even though the two things are not literally the same. Some examples of metaphors would be “The shark’s teeth were daggers ripping through flesh.” Or “Her hair was a winding path of intrigue.” Read additional details at Sabra Pegler.