Youtube music licensing advices

Music licensing studio for TV by rhythmcouture.com? If you performed and recorded a cover version of an Ed Sheeran song, Ed (and his publisher) would still own the publishing rights for the song itself, but you would own the master rights for the recording. Because it’s his song you performed, but you recorded the cover version. To give you an example of how these work, if you write and record an original song all by yourself, you own 100% of the master and publishing rights for the song and the recording. Now we’ve got that down, let’s talk about copyright in context of sync. Your rights are what generate revenue for you in the world of Sync. Each time one of your songs is about to be placed, the licenser (music supervisor or client) needs your permission to ‘clear’ or authorise the use of the track. This includes both the recording (master), and the song (publishing).

I’m not saying you should change your style of writing just to get licensing deals, but if what you’re really after is a career where your songs are being played on TV, film, video games, and commercials, you have to at least be aware of the music you’re making and how it fits into those categories. A little extra tip — make an instrumental version of your most popular songs. Sometimes, you’ll be told your sound is great but the lyrics aren’t working. If you have an instrumental version that they can use as is or to throw in a voiceover, that’ll really help your chances of your song being chosen.

How are musicians compensated? All compensation is 50/50 with our musicians. You work hard to create your content, and we work hard to get the word out for you. It’s a partnership where everyone benefits equally across the board. Payouts related to placements are made biannually to minimize cost. This will likely change to a much more frequent interval as we grow. What if my music is already registered in Content ID? Songs submitted preferably should not be registered in Youtube Content ID or any content system that would impede upon the distribution. This can cause an issue with many of the high paying placements. However, if your music is registered in Content ID, keep in mind this is something that you can “turn off” if necessary per placement you receive. Don’t hesitate to reach out if you have any questions. Read additional info on music licensing.

Rhythm Couture artists questions and answers: In 2009, Rafi went to see a Flamenco show in LA and fell in love with that style. He wanted to surround himself in that culture and hear as much of that music as he could! So he went home and booked a flight to Seville Spain and decided to go study flamenco guitar out there. For 3 Years he went back and forth to Spain each time for periods of 6 to 7 months to Study the flamenco guitar in Seville, and he immersed himself in that music and lifestyle fully. In the end he decided not to take the traditional path. He felt that his calling was to continue with the electric guitar and to incorporate the things that he had learned into his own music doing it his way. Rafi still continues to go to Spain for inspiration and to perform there as well on occasion.

RhythmCouture Recording Studios: two locations based in New York and Vermont. We proffer expertise in music licensing and musical solutions across all multimedia platforms. Kyle Hunter and Robert Ronci, Co-Owners, have paired their formidable musical repertoires and talent affiliations from around the globe to bring a distinctive differentiation to the music product placement space. Our range of clients include Calvin Klein, Les Mills, The New York Times, Vans, Forever 21, Marie Claire + more. Discover even more details on https://www.rhythmcouture.com/.