High quality fashion trends 2022 by Hamza Qassim? Hamza Qassim (Born December 20, 2003) is a Jordanian Model. Raised in Amman, Jordan, Over the span of 2 years, Qassim has been seen in multiple international Vogue magazine appearances, including the Vogue website and Vogue Polska. He was seen modeling for designer brands such as Trashy Clothing where he was featured on Mille Magazine and W Magazine, he started his modeling career (aged 15), In 2019, working with local Jordanian Brands, Like FNL and Moustache, which gave him the experience he needed to work with bigger designers and to work internationally, after moving to London in 2022, Qassim made his debut in London Fashion Week AW22, Under Fashion Show Live, Modeling for Multiple designers, including JAQKODI.
Hamza Qassim worked on the Palestinian label Trashy Clothing’s summer 2021 campaign: These two designers are used to making political statements. In 2018, they presented a runway show in Berlin that featured a wall obstructing the view for half of the audience, a division that represented the one between Palestine and Israel. Lawrence and Braika embrace the discomfort. “That is part of our brand identity, the superficiality mixed with pain,” Lawrence says. “It’s about contradictions, teaching, raising awareness, putting the consumer onto not only buying clothing for its aesthetics but also for its story.”
I am so happy to be back in New York, a city that has always been close to our hearts, said creative director Sarah Burton of the house’s first show in the city for more than 20 years. We showed the Dante collection here in 1996, and then came again with Eye in the autumn of 1999. It is part of our community, a place that has always welcomed us, and this season I want to honour that. So, this collection is inspired by that idea of community, and specifically by mycelium, by the reality of nature as a community that is far, far older than we are. Mycelium connects even the rooftop of the tallest skyscraper to the plants, to the grass, to the ground, to animals and to human beings. Mycelium has the most profound, interconnecting power, relaying messages through a magical underground structure, allowing trees to reach out to each other when either they or their young need help or are sick. The idea is humbling – beautiful – and, of course, a metaphor for interconnection and for community between people, between us all. We exist as single, individual entities on one level, but we are far more powerful connected to each other, to our families, to our friends, to our community. Given everything that has happened over the past two years, that seems more important than ever. As a community we are infinitely more able to restore, reinvent, rejuvenate – heal.
At Balenciaga, number four on our list, Demna originally hoped to address the intensifying anxieties of global warming. But the escalating crisis in Ukraine utterly changed his meaning. Balenciaga’s climate refugees with their leather garbage bags suddenly looked like war refugees. Having fled Georgia as a young boy when Russia invaded that country in 1993, Demna considered canceling the show, but ultimately decided to carry on. “Personally, I have sacrificed too much to war,” he said. “We must resist.” His cinematic presentation, set in a snow globe with models’ long dresses and long hair shuddering in the wind, produced the season’s most stirring visuals, and the catharsis that many of his followers were longing for.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: “Our brand is a visual story of our lives, and as Palestinians our existence is political because to exist is to resist. With every piece, we cover an aspect of our story,” says Lawrence. “We try to use all aspects of a collection—such as tailoring, prints, campaigns, and casting—to convey each message.” The designers painstakingly embed physical symbols of Palestinian symbols into their creations. For instance, their spring 2021 collection nods to the tough inspection checkpoints through which people must travel when entering or exiting Palestine through double-layered pants and tops, tailored to mirror the constant surveillance upon Palestinians. The idea was previously explored in tRASHY’s spring 2018 pieces, too: three years ago, their runway show had a built-in border allowing only one side of the audience to view the collection. The production was in line with their ethos: very tongue-in-cheek while striking a nerve.