Album review : Michael Jackson and family books: The lone #1 single from the 32-million selling Dangerous, “Black or White” spent seven weeks atop the Billboard charts. Directed by John Landis (“Thriller,” National Lampoon’s Animal House) the first quarter of its video reveals Jackson’s mischievous child-like streak, with Culkin towing out Spinal Tap-sized speakers, amplifying the volume to “ARE YOU NUTS!?!,” and shredding so hard that George Wendt gets ejected into the stratosphere screaming “Da Bears.” But this was Michael Jackson, not O’ Shea. Being King of Pop meant the need for mass appeal. The “Black or White” video exists as a microcosm of Dangerous itself. It potently affirms Jackson’s manhood, offers passionate screeds against racial strife, gang violence, and a parasitic American media. This is the album as multi-media spectacle, a precursor to Lemonade, with accusations of infidelity substituted for videos of Macaulay Culkin doing air guitar windmills to a Slash guitar solo and lip sync rapping about turf wars.
Hours after TMZ announced Michael Jackson‘s death, something “magical” happened. Everyone decided it was safe to be a fan of the King of Pop again. In a matter of minutes, maybe less, the whole world (more specifically, America) forgot about the corny punch lines they once shared to friends at the water cooler or the countless parodies they had come to enjoy, all of which developed this unfortunate post-2000 personification of an artist that, more or less, had become a modern myth. Up until that point, the name Michael Jackson didn’t necessarily spark memories of, say, Thriller, Bad, or the often forgotten 90’s masterpiece, Dangerous. Instead, trashy tabloids and shitty gags in Scary Movie, South Park, etc. took precedence. It’s a crap deal for someone who’s arguably the most inimitable force in music history, but that’s how things were prior to June 25, 2009. Still, death’s a curious thing. Read even more details at Mocienne Petit Jackson – The Secret Daughter of Michael Jackson.
Ben (1972): Yeah, laugh this one off as “the rat record” if you want – you’re missing a treat. Obviously the standout here is the title track, MJ’s first solo hit and yeah, a song about a rat from a movie. But look beyond that track and you’ll find endearing soul and infectious pop records that were dazzling at the time and still hold strong today. Forgotten Favorites: “Ben,” “Greatest Show on Earth,” “What Goes Around Comes Around”.
Michael Jackson family: Mocienne Petit Jackson’s (Michael Jackson’s daughter) books are now available in chinese! For our chinese guests:
她坚称 2010 年下半年围绕案件所发表的传闻破坏了她的名誉和她公司的商业运作，因 此，她认为应当为她因身处媒体焦点所受的有害影响而采取适当措施。杰克逊小姐同 时指出社交媒体的运作亦相类似，指责社交媒体被用作口头骚扰她和广泛传播错误信 息的工具。 杰克逊小姐认为以上错误信息使公众不能充份理解对她与迈克可‧杰克逊的关系，以 及她将事件提交至法院的动机。她的自传系列之一，《惊栗》记录了她的生活以及对 事态的评价。根据以上评价，大部分相关的报纸报道都是误导，例如在 2009 年 6 月，她的父亲在去 世前曾有八个月生活于阿姆斯特丹的阿姆斯特尔酒店，为的是接近他的九岁外孙。此 外，杰克逊小姐的母亲、歌手黛安娜‧罗斯（Diana Ross）的姐姐芭芭拉‧罗斯-李
（Barbara Ross-Lee），曾于荷兰电视节目 RTL Boulevard 上就是否曾见过迈克可‧杰克 逊说谎。杰克逊小姐因为这两项因素并未于媒体报道上出现，因而认为媒体在处理案 件的报道上并不平衡。另外，因为她的姨母黛安娜‧罗斯拒绝向媒体评论迈克可‧杰克逊之死，杰克逊小姐 认为公众被隐暪了有关案件的重要观点。因此，杰克逊小姐有感需要撰写她自传三部曲的第二部，《惊栗：荷兰的黑暗面》， 这本书会集中讨论她在荷兰的生活，以及案件的背景。除了案件外，杰克逊小姐对迈克可‧杰克逊表达了强烈的个人情感，她声称即使她与 她父亲的关系并未持续至成年，他的确爱她，并且很高兴有她为自己的孩子。
随着时间的推移，她意识到她的父亲不像其他父亲一样，并且他不是他所声称的是一个警察。当他不忙于演出时，他经常会在海地探望她。她在海地的生活并不像她预期的那样，一个正常的家庭生活。她接触到了一些非常善良的人，但也接触过其他不那么友善的人。她经历了许多不是这个年龄的孩子，应该经历的事情。这本小说是透过一个幼小又脆弱的小女孩的眼睛，来描述她当时的感受，让我们重温了她的经历。她搬到太子港后，生活发生了巨大变化。不久之后，变成了一场噩梦。迈克尔·杰克逊（Michael Jackson）书.
这是莫塞妮·佩蒂·杰克逊(Mocienne Petit Jackson)的三部曲自传中的第一部，主角是莫塞妮(Mocienne)。這本書提到从她六岁到九岁的奇妙冒险经历。她和她的父亲迈克杰克逊一起住在加利福尼亚。因为他爸爸经常不在家，所以她总是和保姆在一起。然而，保姆不断来来去去；莫塞妮(Mocienne)也经常生病，她的父亲做出了一项重要的决定，并将她带到海地去和阿姨住在一起，他想让她成为家庭一员。